Since the 1950s, many young Americans have first encountered critiques of mass media in the pages of Mad. With its intricate cartoons and satirical sendups, the monthly magazine gained a reputation for skewering politicians, advertisers, TV shows and a variety of print outlets.
One of Mad’s recurrent shticks has involved making fun of gaps between words and meaning — an especially welcome form of humor because mainstream news so often amplifies the words of public figures with scarcely a hint of irony, much less deprecation. Notwithstanding the zany image of Alfred E. Neuman, the magazine’s grinning icon of absurdity has overseen plenty of sobering antidotes to the phony self-importance of major media.
One-third of the way through February, looking at a few of the day’s
top news stories, I tried to imagine the properly Mad way to annotate them…
Read the full column.