For a long time, the last refuge of scoundrels was “patriotism.” Now it’s “the war on terror.”

President Bush and many of his vocal supporters aren’t content to wrap themselves in the flag. It’s not sufficient to posture as more patriotic than opponents of the Iraq war. The ultimate demagogic weapon is to exploit the memory of Sept. 11, 2001.

Next month, the fourth anniversary will provide the Bush administration with plenty of media opportunities to wrap itself in the 9/11 shroud and depict Iraq war critics as insufficiently committed to defending the United States. A renewed attempt to justify the war as a resolute stand against terrorism is well underway.

On Wednesday, eager to pull out of a political nosedive, Bush stood in front of National Guard members in Idaho and read from a script that was thick with familiar rhetoric: “Our nation is engaged in a global war on terror that affects the safety and security of every American. In Iraq, Afghanistan and across the world, we face dangerous enemies who want to harm our people, folks who want to destroy our way of life.” And: “As long as I’m the president, we will stay, we will fight and we will win the war on terror.”

Such presidential oratory has become routine. And anniversaries of 9/11 are occasions when the White House ratchets up the spin…

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The Bush administration may ratchet up the Iraq war.

That might seem unlikely, even farfetched. After all, the president is facing an upsurge of domestic opposition to the war. Under such circumstances, why would he escalate it?

A big ongoing factor is that George W. Bush and his top aides seem to believe in red-white-and-blue violence with a fervor akin to religiosity. For them, the Pentagon’s capacity to destroy is some kind of sacrament. And even if more troops aren’t readily available for duty in Iraq, huge supplies of aircraft and missiles are available to step up the killing from the air.

Back in the USA, while the growth of antiwar sentiment is apparent, much of the criticism — especially what’s spotlighted in news media — is based on distress that American casualties are continuing without any semblance of victory. In effect, many commentators see the problem as a grievous failure to kill enough of the bad guys in Iraq and sufficiently intimidate the rest.

(Bypassing the euphemisms preferred by many liberal pundits, George Will wrote in a Washington Post column on April 7, 2004, that “every door American troops crash through, every civilian bystander shot — there will be many — will make matters worse, for a while. Nevertheless, the first task of the occupation remains the first task of government: to establish a monopoly on violence.”)

A lot of what sounds like opposition to the war is more like opposition to losing the war…

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The day after Wednesday night’s nationwide vigils, the big headline at the top of the MoveOn.org home page said: “Support Cindy Sheehan.” But MoveOn does not support Cindy Sheehan’s call for swift withdrawal of U.S. troops from Iraq.

Many groups were important to the success of the Aug. 17 vigils, but the online powerhouse MoveOn was the largest and most prominent. After a long stretch of virtual absence from Iraq war issues, the organization deserves credit for getting re-involved in recent months. But the disconnects between MoveOn and much of the grassroots antiwar movement are disturbing…

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The surge of antiwar voices in U.S. media this month has coincided with new lows in public approval for what pollsters call President Bush’s “handling” of the Iraq war. After more than two years of a military occupation that was supposed to be a breeze after a cakewalk into Baghdad, the war has become a clear PR loser. But an unpopular war can continue for a long time — and one big reason is that the military-industrial-media complex often finds ways to blunt the effectiveness of its most prominent opponents.

Right now, the pro-war propaganda arsenal of the world’s only superpower is drawing a bead on Cindy Sheehan, who now symbolizes the USA’s antiwar grief. She is a moving target, very difficult to hit. But right-wing media sharpshooters are sure to keep trying.

The Bush administration’s top officials must be counting the days until the end of the presidential vacation brings to a close the Crawford standoff between Camp Casey and Camp Carnage. But media assaults on Cindy Sheehan are just in early stages.

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On Sunday, the New York Times published a piece by Frank Rich under the headline “Someone Tell the President the War Is Over.” The article was a flurry of well-placed jabs about the Bush administration’s lies and miscalculations for the Iraq war. But the essay was also a big straw in liberal wind now blowing toward dangerous conclusions.
Comparing today’s war-related poll numbers for George W. Bush with those for President Lyndon B. Johnson, the columnist writes…

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In 1972, after many years of U.S. involvement in Vietnam, the Pentagon Papers whistleblower Daniel Ellsberg wrote: “In that time, I have seen it first as a problem; then as a stalemate; then as a crime.”

That aptly describes three key American perspectives now brought to bear on U.S. involvement in Iraq.

The moral clarity and political impacts of Cindy Sheehan’s vigil in Crawford are greatly enhanced by a position that she is taking: U.S. troops should not be in Iraq…

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Mid-August 2005 may be remembered as a moment in U.S. history when the president could no longer get away with the media trick of solemnly patting death on its head.
Unreality is a hallmark of media coverage for war. Yet — most of all — war is about death and suffering. War makers thrive on abstractions. Their media successes depend on evasion.

President Bush has tried to keep the loved ones of America’s war dead at middle distance, bathed in soft fuzzy light: close enough to exploit for media purposes, distant enough to insulate the commander in chief’s persona from the intrusion of wartime mourning in America.

What’s going on this week, outside the perimeter of the ranch-style White House in Crawford, is some reclamation of reality in public life. Cindy Sheehan has disrupted the media-scripted shadow play of falsity…

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